Following a decade of successes in performance competitions, and now with her compositions increasingly in demand, Brenda Portman has established a well-respected dual career as both a concert organist and composer. She serves as the Resident Organist at Hyde Park Community United Methodist Church in Cincinnati, Ohio, where she is also the Executive Director of the church’s renowned Organ Concert Series. She is the Organ Instructor at Xavier University in Cincinnati, and also teaches organ and piano privately.
Raised in Grafton, Wisconsin, Brenda’s earliest musical studies were at the piano with her mother, Cheryl Heck, and later with Clarice Wysocky of Grafton. Her organ studies began in high school, also with her mother, and with John Behnke at Concordia University. She furthered her study of the organ and church music with Edward Zimmerman at Wheaton College (B.Mus.Ed.), Douglas Cleveland at Northwestern University (M.Mus.), and with Roberta Gary and Michael Unger at the University of Cincinnati’s College-Conservatory of Music (D.M.A.), where she received a full scholarship as first prize winner of the Strader Organ Competition and served as a teaching assistant for the organ department.
Between the years 2006 and 2016, Brenda received numerous awards in organ competitions, including the Albert Schweitzer Organ Competition, Arthur Poister Organ Competition, Sursa American Organ Competition, Rodgers North American Classical Organ Competition, and the Bank District British/American Organ Competition which concluded with a winner’s recital at St. Paul’s Cathedral, London. In October 2014 she was the only female American organist to compete in the prestigious Canadian International Organ Competition in Montréal. Her performance there led to a collaboration with acclaimed Canadian composer Rachel Laurin and a recording entitled "Pilgrimages: Organ Music of Rachel Laurin Inspired by Sacred Themes," which was released in 2016 on the Raven label.
Some of Portman’s compositions have won awards as well, including the University of Notre Dame’s Liturgy Alive! Composition Competition in 2019 (Laudate Dominumfor SSA/organ), the Palm Beach AGO Composition Competition in 2024 (Prelude on “Love Unknown” for organ), and the AGO Woman Composer Competition (Diptychfor organ). She has been commissioned numerous times in recent years for solo organ, organ-plus-instrument, and choral works, including solo organ pieces for the 2020 AGO National Convention in Atlanta and the 2024 National Competition in Organ Improvisation. Her compositions are primarily published by Sacred Music Press and Augsburg Fortress, though others are self-published.
In 2017 Dr. Portman was awarded the AAGO certificate (Associate of the American Guild of Organists), and received the AAGO Prize for the highest exam score, as well as the S. Lewis Elmer Award for the highest score on both the AAGO and FAGO exams combined.
Generated from her doctoral research on minimalism and twentieth-century Dutch organ music, Dr. Portman’s article “The Eclectic Landscape of Ride in a High-Speed Train,” about the above-named composition by Ad Wammes was published in December 2015 in The Diapason. Another article, “Minimalism or Not? A Closer Look at Ad Wammes’s Miroir,” was published in August 2017 by The American Organist. Most recently, her article “Rachel Laurin and the 21st-Century Fugue” was published in September 2024 by The American Organist. Other recent activities include adjudicating organ or composition competitions, presenting workshops on contemporary organ repertoire, and teaching 4th graders about how pipe organs work.
